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<http://digilib.unila.ac.id/id/eprint/78170> <http://purl.org/dc/terms/title> "ANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,\r\nCINTA, & TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://purl.org/ontology/bibo/abstract> "Dalam kehidupan sehari-hari, penilaian terhadap penampilan fisik sering\r\nmenjadi perbincangan ringan, terutama di era digital yang memunculkan\r\nfenomena body shaming di media sosial. Sutradara Ernest Prakasa mengadaptasi\r\nnovel Meira Anastasia ke dalam film \"Imperfect: Karir, Cinta, & Timbangan,\"\r\nyang mengajak penonton untuk menerima dan mencintai diri sendiri di tengah\r\nstandar kecantikan yang tidak realistis. Penelitian ini menggunakan analisis\r\nsemiotika Roland Barthes untuk mengeksplorasi makna body shaming dalam\r\nfilm tersebut. Hasil penelitian menunjukkan bahwa film ini menyoroti tekanan\r\nsosial terkait standar kecantikan, dengan karakter utama, Rara, menghadapi body\r\nshaming karena penampilannya dianggap tidak sesuai norma. Film ini secara\r\ntegas menggambarkan dampak negatif body shaming terhadap kondisi mental\r\ndan memberikan pesan tentang pentingnya menerima dan mencintai diri sendiri\r\ntanpa terpaku pada ekspektasi fisik yang tidak realistis. Melalui metode\r\nsemiotika, penelitian ini mengungkapkan makna teks body shaming dalam\r\nelemen visual dan dialog film. Simpulan dari hasil penelitian ini yakni dampak\r\npsikologis dari ekpolitas bentuk tubuh yang digambarkan dalam film yang\r\nmenimbulkan norma-norma kecantikan dilingkungan sosial menciptakan tekanan\r\nbesar, terutama pada perempuan, mengubah persepsi tubuh, dan menimbulkan\r\ndampak negatif.\r\nKata kunci: Film \"Imperfect”, Analisis Semiotika, Body Shaming, Bentuk\r\nTubuh.\r\n\r\nIn everyday life, judgment of physical appearance often becomes a\r\nlighthearted conversation, especially in the digital era that has given rise to the\r\nphenomenon of body shaming on social media. Director Ernest Prakasa adapted\r\nMeira Anastasia's novel into the movie \"Imperfect: Career, Love, & Scales,\"\r\nwhich invites the audience to accept and love themselves in the midst of\r\nunrealistic beauty standards. This study uses Roland Barthes' semiotic analysis\r\nto explore the meaning of body shaming in the movie. The results show that the\r\nmovie highlights the social pressure related to beauty standards, with the main\r\ncharacter, Rara, facing body shaming because her appearance is deemed not up\r\nto the norm. The movie explicitly depicts the negative impact of body shaming on\r\nmental state and provides a message about the importance of accepting and\r\nloving oneself without fixating on unrealistic physical expectations. Through the\r\nsemiotic method, this research reveals the meaning of body shaming text in the\r\nvisual elements and dialog of the film. The conclusion from the results of this\r\nstudy is that the psychological impact of body shape polarity depicted in the film\r\nwhich raises beauty norms in the social environment creates great pressure,\r\nespecially on women, changes body perception, and has a negative impact.\r\nKeywords: Movie \"Imperfect\", Semiotic Analysis, Body Shaming, Body Shape."^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://purl.org/dc/terms/date> "2023-12-15" .
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<http://digilib.unila.ac.id/id/document/2242744> <http://eprints.org/relation/isVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/document/2242744> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/document/2242744> <http://eprints.org/relation/islightboxThumbnailVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://eprints.org/ontology/hasDocument> <http://digilib.unila.ac.id/id/document/2242745> .
<http://digilib.unila.ac.id/id/document/2242745> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.unila.ac.id/id/document/2242745> <http://www.w3.org/2000/01/rdf-schema#label> "ANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,\r\nCINTA, & TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/document/2242745> <http://eprints.org/relation/isVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/document/2242745> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/document/2242745> <http://eprints.org/relation/ispreviewThumbnailVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://eprints.org/ontology/hasDocument> <http://digilib.unila.ac.id/id/document/2242746> .
<http://digilib.unila.ac.id/id/document/2242746> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.unila.ac.id/id/document/2242746> <http://www.w3.org/2000/01/rdf-schema#label> "ANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,\r\nCINTA, & TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/document/2242746> <http://eprints.org/relation/isVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/document/2242746> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/document/2242746> <http://eprints.org/relation/ismediumThumbnailVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://eprints.org/ontology/hasDocument> <http://digilib.unila.ac.id/id/document/2242747> .
<http://digilib.unila.ac.id/id/document/2242747> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.unila.ac.id/id/document/2242747> <http://www.w3.org/2000/01/rdf-schema#label> "ANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,\r\nCINTA, & TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/document/2242747> <http://eprints.org/relation/isVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/document/2242747> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/document/2242747> <http://eprints.org/relation/issmallThumbnailVersionOf> <http://digilib.unila.ac.id/id/document/2242735> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://eprints.org/ontology/hasDocument> <http://digilib.unila.ac.id/id/document/2242748> .
<http://digilib.unila.ac.id/id/document/2242748> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.unila.ac.id/id/document/2242748> <http://www.w3.org/2000/01/rdf-schema#label> "ANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,\r\nCINTA, & TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/document/2242748> <http://eprints.org/relation/isVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242748> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242748> <http://eprints.org/relation/islightboxThumbnailVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242748> <http://eprints.org/ontology/hasFile> <http://digilib.unila.ac.id/78170/15/lightbox.jpg> .
<http://digilib.unila.ac.id/id/document/2242748> <http://purl.org/dc/terms/hasPart> <http://digilib.unila.ac.id/78170/15/lightbox.jpg> .
<http://digilib.unila.ac.id/78170/15/lightbox.jpg> <http://www.w3.org/2000/01/rdf-schema#label> "lightbox.jpg"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://eprints.org/ontology/hasDocument> <http://digilib.unila.ac.id/id/document/2242749> .
<http://digilib.unila.ac.id/id/document/2242749> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.unila.ac.id/id/document/2242749> <http://www.w3.org/2000/01/rdf-schema#label> "ANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,\r\nCINTA, & TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/document/2242749> <http://eprints.org/relation/isVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242749> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242749> <http://eprints.org/relation/ispreviewThumbnailVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242749> <http://eprints.org/ontology/hasFile> <http://digilib.unila.ac.id/78170/16/preview.jpg> .
<http://digilib.unila.ac.id/id/document/2242749> <http://purl.org/dc/terms/hasPart> <http://digilib.unila.ac.id/78170/16/preview.jpg> .
<http://digilib.unila.ac.id/78170/16/preview.jpg> <http://www.w3.org/2000/01/rdf-schema#label> "preview.jpg"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://eprints.org/ontology/hasDocument> <http://digilib.unila.ac.id/id/document/2242750> .
<http://digilib.unila.ac.id/id/document/2242750> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.unila.ac.id/id/document/2242750> <http://www.w3.org/2000/01/rdf-schema#label> "ANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,\r\nCINTA, & TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/document/2242750> <http://eprints.org/relation/isVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242750> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242750> <http://eprints.org/relation/ismediumThumbnailVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242750> <http://eprints.org/ontology/hasFile> <http://digilib.unila.ac.id/78170/17/medium.jpg> .
<http://digilib.unila.ac.id/id/document/2242750> <http://purl.org/dc/terms/hasPart> <http://digilib.unila.ac.id/78170/17/medium.jpg> .
<http://digilib.unila.ac.id/78170/17/medium.jpg> <http://www.w3.org/2000/01/rdf-schema#label> "medium.jpg"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://eprints.org/ontology/hasDocument> <http://digilib.unila.ac.id/id/document/2242751> .
<http://digilib.unila.ac.id/id/document/2242751> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://eprints.org/ontology/Document> .
<http://digilib.unila.ac.id/id/document/2242751> <http://www.w3.org/2000/01/rdf-schema#label> "ANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,\r\nCINTA, & TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES) (Other)"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/document/2242751> <http://eprints.org/relation/isVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242751> <http://eprints.org/relation/isVolatileVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242751> <http://eprints.org/relation/issmallThumbnailVersionOf> <http://digilib.unila.ac.id/id/document/2242734> .
<http://digilib.unila.ac.id/id/document/2242751> <http://eprints.org/ontology/hasFile> <http://digilib.unila.ac.id/78170/18/small.jpg> .
<http://digilib.unila.ac.id/id/document/2242751> <http://purl.org/dc/terms/hasPart> <http://digilib.unila.ac.id/78170/18/small.jpg> .
<http://digilib.unila.ac.id/78170/18/small.jpg> <http://www.w3.org/2000/01/rdf-schema#label> "small.jpg"^^<http://www.w3.org/2001/XMLSchema#string> .
<http://digilib.unila.ac.id/id/eprint/78170> <http://www.w3.org/2000/01/rdf-schema#seeAlso> <http://digilib.unila.ac.id/78170/> .
<http://digilib.unila.ac.id/78170/> <http://purl.org/dc/elements/1.1/title> "HTML Summary of #78170 \n\nANALISIS MAKNA BODY SHAMING DALAM FILM “IMPERFECT: KARIR,&#13;\nCINTA, &amp; TIMBANGAN” (ANALISIS SEMIOTIKA ROLAND BARTHES)\n\n" .
<http://digilib.unila.ac.id/78170/> <http://purl.org/dc/elements/1.1/format> "text/html" .
<http://digilib.unila.ac.id/78170/> <http://xmlns.com/foaf/0.1/primaryTopic> <http://digilib.unila.ac.id/id/eprint/78170> .
<http://digilib.unila.ac.id/id/subject/300> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.w3.org/2004/02/skos/core#Concept> .
<http://digilib.unila.ac.id/id/subject/300> <http://www.w3.org/2004/02/skos/core#prefLabel> "300 Ilmu sosial" .
<http://digilib.unila.ac.id/id/eprint/78170> <http://purl.org/dc/terms/subject> <http://digilib.unila.ac.id/id/subject/300> .
<http://digilib.unila.ac.id/id/subject/380> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.w3.org/2004/02/skos/core#Concept> .
<http://digilib.unila.ac.id/id/subject/380> <http://www.w3.org/2004/02/skos/core#prefLabel> "380 Perdagangan, komunikasi, dan transportasi" .
<http://digilib.unila.ac.id/id/eprint/78170> <http://purl.org/dc/terms/subject> <http://digilib.unila.ac.id/id/subject/380> .