?url_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rft.title=PENGGAMBARAN+PEREMPUAN+DALAM+LIRIK+LAGU+PADA+ALBUM%0D%0A%0D%0ASLANK%0D%0A%0D%0A(Analisis+Wacana+Kritis+Sara+Mills+pada+Lirik+Lagu+Slank+%E2%80%9CSuit-Suit..+He-%0D%0AHe%E2%80%9D%2C+%E2%80%9CAmerican+Style%E2%80%9D%2C+dan+%E2%80%9CLadies+Night+di+Ebony%E2%80%9D)&rft.creator=ALEXANDRA+%2C+VIVIALDA+SEJATI&rft.subject=300+Ilmu+sosial&rft.subject=380+Perdagangan%2C+komunikasi%2C+dan+transportasi&rft.description=Perempuan+sering+kali+menjadi+objek+dalam+sebuah+karya+seni%2C+salah+satunya+dalam%0D%0A%0D%0Alirik+lagu+seperti+yang+dilakukan+band+Slank+dalam+menulis+dan+menciptakan+karya-%0D%0Akarya+lagunya.+Tiga+diantaranya+adalah+Suit-Suit+He-He+(Gadis+Sexy)%2C+American+Style%2C%0D%0A%0D%0Adan+Ladies+Night+di+Ebony+yang+muncul+dalam+album+pertama+Slank+dengan+tajuk%0D%0Ayang+sama+yaitu+Suit-Suit+He-He+(Gadis+Sexy).+Penelitian+ini+bertujuan+untuk%0D%0Amengetahui+bagaimana+perempuan+digambarkan+dalam+tiga+lirik+lagu+tersebut.+Metode%0D%0Adalam+penelitian+ini+adalah+Kualitatif+dengan+tipe+penelitian+analisis+wacana+kritis%0D%0Adengan+model+analisis+wacana+kritis+Sara+Mills+serta+pendekatan+feminis.+Setelah%0D%0Adilakukan+analisis+dengan+memaparkan+bagaimana+posisi+subjek+dan+objek+serta+posisi%0D%0Apenulis+dan+pembaca+didapatkan+hasil+analisis+dari+ketiga+lagu+tersebut+ada+dua%0D%0Apenggambaran+perempuan+dalam+lirik+lagu+Slank+Suit-Suit+He-He+(Gadis+Sexy)%2C%0D%0AAmerican+Style%2C+dan+Ladies+Night+di+Ebony+yaitu+perempuan+sebagai+objek+visual+dan%0D%0Aposisi+perempuan+digambarkan+berada+di+bawah+laki-laki+serta+mudah+dijadikan+bahan%0D%0Aimajinasi.+Penggambaran+perempuan+dalam+tiga+lagu+tersebut+dapat+mempengaruhi%0D%0Apendengar+dan+pembaca+lirik+lagu+hingga+timbul+dampak+lainnya+yang+mungkin+saja%0D%0Atidak+diinginkan.%0D%0AKata+Kunci%3A+Perempuan%2C+Lirik+Lagu%2C+Analisis+Wacana+Kritis%2C+Sara+Mills%0D%0A%0D%0AWomen+often+become+objects+in+works+of+art%2C+including+song+lyrics+as+exemplified+by%0D%0A%0D%0Athe+Indonesian+band+Slank+in+their+compositions.+Three+of+their+songs%2C+%22Suit-Suit+He-%0D%0AHe+(Gadis+Sexy)%22%2C+%22American+Style%22%2C+and+%22Ladies+Night+di+Ebony%22%2C+featured+in+their%0D%0A%0D%0Adebut+album+of+the+same+name%2C+are+the+focus+of+this+study.+This+research+aims+to%0D%0Aunderstand+how+women+are+depicted+in+these+three+song+lyrics.+A+qualitative+approach%0D%0Ausing+Sara+Mills'+critical+discourse+analysis+and+a+feminist+perspective+was+employed.%0D%0ABy+examining+the+subject-object+positions+and+the+positions+of+the+author+and+reader%2C%0D%0Athe+study+revealed+two+primary+portrayals+of+women+in+the+lyrics+of+%22Suit-Suit+He-He%0D%0A(Gadis+Sexy)%22%2C+%22American+Style%22%2C+and+%22Ladies+Night+di+Ebony%22%3A+women+as+visual%0D%0Aobjects+and+women+depicted+as+subordinate+to+men+and+easily+objectified.+These%0D%0Aportrayals+of+women+in+the+three+songs+can+influence+listeners+and+readers+of+the+lyrics%2C%0D%0Apotentially+leading+to+unintended+consequences.%0D%0AKeywords%3A+women%2C+song+lyrics%2C+critical+discourse+analysis%2C+Sara+Mills%0D%0A&rft.publisher=FAKULTAS+ILMU+SOSIAL+DAN+ILMU+POLITIK&rft.date=2024-08-09&rft.type=Skripsi&rft.type=NonPeerReviewed&rft.format=text&rft.identifier=http%3A%2F%2Fdigilib.unila.ac.id%2F83180%2F1%2FABSTRAK%2520%25281%2529%2520-%2520Alexandra%2520Vivialda%2520Sejati.pdf&rft.format=text&rft.identifier=http%3A%2F%2Fdigilib.unila.ac.id%2F83180%2F2%2FSKRIPSI%2520FULL%2520%25281%2529_removed%2520-%2520Alexandra%2520Vivialda%2520Sejati.pdf&rft.format=text&rft.identifier=http%3A%2F%2Fdigilib.unila.ac.id%2F83180%2F3%2FSKRIPSI%2520TANPA%2520PEMBAHANSAN_removed%2520-%2520Alexandra%2520Vivialda%2520Sejati.pdf&rft.identifier=++ALEXANDRA+%2C+VIVIALDA+SEJATI++(2024)+PENGGAMBARAN+PEREMPUAN+DALAM+LIRIK+LAGU+PADA+ALBUM+SLANK+(Analisis+Wacana+Kritis+Sara+Mills+pada+Lirik+Lagu+Slank+%E2%80%9CSuit-Suit..+He-+He%E2%80%9D%2C+%E2%80%9CAmerican+Style%E2%80%9D%2C+dan+%E2%80%9CLadies+Night+di+Ebony%E2%80%9D).++FAKULTAS+ILMU+SOSIAL+DAN+ILMU+POLITIK%2C+UNIVERSITAS+LAMPUNG.+++++&rft.relation=http%3A%2F%2Fdigilib.unila.ac.id%2F83180%2F